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Unlikely
though it may sound giclee comes from the French verb gicler - to
splash, to squirt. And this is because the ink is squirted through
fine jets on to the paper. The whole process is computer-controlled
with an amazing degree of accuracy. Although my aim is not to produce
a replica of an original painting but to create a new image based
on the original I would defy anyone quickly to determine which is
the original. I was recently invited to exhibit four original watercolours
together with their giclee prints. One of the pairs
was framed identically. The owners of the original wanted their
picture back before the exhibition closed and I promise you I had
to dismantle one of the pair to make sure I wasnt giving them
the print !
This
exciting new technology is transforming the fine art print world
and although it is fairly new in England it is well-established
in the USA where virtually all prints are now being produced by
the giclee process.
Apart
from the stunning quality of the prints there are other advantages
for the artist. For a start the economics attract us. Under the
old system of photo-lithography it was advisable to buy a whole
print run (usually of 850) from the start. This was not only expensive
but required time to be spent signing and numbering the edition.
And as I have published over 50 lithographic prints in the last
ten years the storage problem is not inconsiderable. The edition
run number of 850, incidentally, is an arbitrary figure chosen by
artists over a hundred years ago in response to an edict from the
Fine Art Trade Guild who decreed that any print run over a thousand
should not be referred to as a limited edition. This was prompted
by the recognition that lithographic plates would deteriorate after
long runs and there would be a consequent and significant difference
between early pulls and later ones.
I am now able to have scanned every picture I paint and that explains why there is such an extensive range of giclee prints on my website.
There
is one other advantage with giclee printing which I frequently offer
customers. Although the sizes of the prints shown on this web-site
are usually same-size as the original paintings, I can offer larger
(or smaller) finished prints. Larger ones cost more and there is
a limit to how big a print will blow-up without unacceptable
deterioration of the image, but should you be interested contact
me and we can discuss what you have in mind.
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