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This
is possibly the most widely used form of image printing to-day and
is familiar to every body through newspaper and magazines where
half-tone images are used. It was invented in the late 18th century
by A. Senefelder a French printer, who exploited very cleverly the
reluctance of oil and water to mix.
In
the early lithographic prints the image was drawn on to a smooth,
porous limestone block with a greasy ink or crayon. The stone was
then washed over with clean water which ran off the greasy areas.
The stone was then inked with a roller and the greasy ink attached
itself only to the drawn image. A piece of paper was then laid over
the stone and pulled through a press. The resulting image, now transferred
to the paper, was printed in reverse. The modern development of
the process has seen the extensive use of zinc
plates replacing the limestone blocks and massive industrial presses
producing images by the offset process and in full colour and at
a fantastic speed. The offset process, incidentally, picks up the
image from the zinc plate on to a roller which immediately transfers
it to another roller before it is pressed down on to the paper -
thus avoiding the image appearing in reverse. Neat. This makes me
feel like a relic from the 19th century but my Fine Art course at
Kings College Newcastle included a minor course in printmaking where
we had to grind old images off limestone printing blocks until they
were smooth and immaculate and ready for us to use again. I still
have a lithography print of a life drawing I did directly on to
the stone in the life-room at Newcastle. By heck they don't teach
art like that nymore!
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